This would involve rotating inductance and resistance dials until singing voice sounds correct to listener's brain.
Correct means flat frequency response from producer's brain to listener's brain.
See also previous euroelectron posts.
Wednesday, March 20, 2019
Would Vicky be the first Pleiades variable microphone filter operator?
This would involve rotating inductance and resistance dials until singing voice sounds correct to listener's brain.
Correct means flat frequency response from producer's brain to listener's brain.
See also previous euroelectron posts.
Electrons can interact at a distance...
...even through free space.
And this is the basis of communication at a distance.
Examples:
Vibrating electron inside a radio transmitter antenna making electrons vibrate inside a radio receiver antenna,
Electrons in the sun making electrons of objects on earth vibrate and then electrons in our eyes vibrating so we can see them.
We seeing ourselves on the mirror. The back of the glass of a mirror is coated by a metal which has billions billions billions of free electrons,
See also:
Jealous Electrons - Euroelectron
Further reading:
Conceptual Physics- Hewiit
The Frynam Lectures on Physics - Feynman, Leyton, Sands
Increasing subjective dynamic range on analog recording still further
This came while playing with a malfunctioning Pioneer cassette deck.
The deck under modulates one track of the cassette tape.
So, would it be possible to use on any tape medium with 2 tracks both of them as one channel. Using at digitisation or whatever, track one most of the time. Then at loud parts or peaks where it would be distorted, taking the information from the under modulated track where tape is not modulated to a point of objectionable distortion. Of course the so listenable distortion of analog tape is desired and can be taken from the main tape track.
Would this idea work on digital which can instantly go to objectionable distortion mode?
Disadvantage is needing double memory. But then the information could be used to make a combination track.
Συνηδητοι περιορισμοί στην τέχνη Restrictions in art
Conscious or unconscious restrictions may produce art.
They are very useful as they make choices become simple and easy.
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Restrictions could be for example:
Producing music in mono (early Beatles etc?)
Producing music only with electrically generated sounds (OMD?)
Producing music only with samples (Depeche Mode?)
Learning music on a broken piano where only rightmost and left most keys operate (Arvo Part?)
Musicians in a band playing a different instrument than the instrument they have learnt (Brian Eno?)
Recoding only with the instruments on the right side of the room (Brian Eno?)
Recording only with battery operated instruments
Recording with a broken cassette or reel to reel recorder where only one track records etc.
Perhaps the best example of a restriction is the scales themselves. From all the 12 notes (both white and black) of a piano keyboard only 7 are normally allowed. For example on Just Hold Me - Maria during some time of the song the scale or key is A Dorian. This means only A B C D E F# G is allowed. At other times the A minor is the key meaning the notes allowed are those coming from all the white keys ie the 7 natural La Si Do Re Mi Fa Sol. For example at some point the song plays F7 ie F A C E or F major 7th.
Sunday, March 17, 2019
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