These 3 would possibly make an iPad Farageband combination the winner on the planet in portable recording.
1. A stereo microphone input. Thus will make iPad ready for 3 D recordings. The best 3D microphones on the planet can be made with 2 omni capsules placed in ear like in ear headphones?
2. Making instead of the 259Hz? low cut filter on iPad or Garageband mic recorder a full 39Hz - 16KHz bandwidth. The low cut has to be switchable.
3. Stretching octaves on GarageBand as a true to ear - brain octave is not an exact integer multiple of 2, (why should it be?). X2 is just for lesser things not the best music creating software on the planet. An a,ternate was solution would be to making it all note scale user defined (not just one octave), in cent frequency deviation for theoretical equal temperament.
An optional instrument input too?
Will it be ready to make 3D music?
"Shortcomings" can lead to creativity. For example counteract low cut by creative use of sampler, counteract u stretched octaves by creative use of pitch bender. Using a figure of eight ribbon mic record an instrument on channel L then twist the mic 90 degrees double tracking the same part on channel right. Then re record similarly another so same part in the same way from a different position in space. Or use an omni record then move the mic 14cm and redecorate the same thing. Or record with one mic in ear capsule in the left ear then re record with same capsule in the right ear.
Reference: open source references on euroelectron blogspot
1. A stereo microphone input. Thus will make iPad ready for 3 D recordings. The best 3D microphones on the planet can be made with 2 omni capsules placed in ear like in ear headphones?
2. Making instead of the 259Hz? low cut filter on iPad or Garageband mic recorder a full 39Hz - 16KHz bandwidth. The low cut has to be switchable.
3. Stretching octaves on GarageBand as a true to ear - brain octave is not an exact integer multiple of 2, (why should it be?). X2 is just for lesser things not the best music creating software on the planet. An a,ternate was solution would be to making it all note scale user defined (not just one octave), in cent frequency deviation for theoretical equal temperament.
An optional instrument input too?
Will it be ready to make 3D music?
"Shortcomings" can lead to creativity. For example counteract low cut by creative use of sampler, counteract u stretched octaves by creative use of pitch bender. Using a figure of eight ribbon mic record an instrument on channel L then twist the mic 90 degrees double tracking the same part on channel right. Then re record similarly another so same part in the same way from a different position in space. Or use an omni record then move the mic 14cm and redecorate the same thing. Or record with one mic in ear capsule in the left ear then re record with same capsule in the right ear.
Reference: open source references on euroelectron blogspot
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