At your risk.
It is only at the threshold of hearing (very small sound intensity) that (objective) frequency and (subjective) pitch become one. At higher intensity the same frequency creates a lower pitch perception [1}. So my recent listening observation is that good musicians, vocalists, violin, flute players,.., may play the first few milliseconds of a note flat but almost immediately raise pitch to make, what they just started to play, match with the backing track. It works even when singing a cappella. In fact it is the first time I can feel myself singing in tune and not flat.
This is how it works for me at the moment. I immediately have in mind, counter to intuition, to raise my pitch just after starting any note. Singing for example a A h, where 'A' is at a higher frequency than 'a' the flat nonsense I thought I should sing. Once you start increasing the note frequency a feedback mechanism tells you when note is perfect. Then you are happy and audience is possibly happy too.
When I was transferred to the military headquarters of Hellenic Airforce while doing my military service someone told me about this and I kind of thought it sounds crazy. I never saw him again but now after many years I would like to thank him.
Here are a few examples:
Reference [1]:
Sound and Hearing - Time Life Encyclopedia - Chapter 4: Mind's Influence - S.S. Stevens (Harvard University), F. Warshofsky
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