The only thing needed to remember when playing, composing music? Το μονο που χρειάζεται να θυμάσαι οταν παίζεις, συνθέτεις μουςικη ;

C E G B D F A C E G B ...


Ντο Μι Σολ Σι Ρε Φα Λα Ντο Μι Σολ Σι ...


If we write on one page with big characters one below the other
C
E
G
B

Then on next page

D
F
A
C

Then on next page

E
G
B
D

Then on next page

F
A
C
E

Then on next page

G
B
D
F

Then on next page

A
C
E
G

Then on next page

B
D
F
A

Then we have all the chords used in almost any musical composition.


The only thing needed to take care then is which notes if any are flat or sharp according to which key the music is composed with.


For example:


Shattered Dreams - Johny Hates Jazz


D F A  (giving me, giving
C E A  (me, nothing but
B D F A  (shattered dreams, shattered
G B D F A  (dreams
Etc


On above example all B are flat since the key is D minor.


Then when the modulation to D sharp minor takes place almost all notes are sharp except B which is natural. Even E is sharp ie we play note key F but we call it E sharp.


But how about the strange looking great sounding chord C E A, where is this strange being coming from?
It is derived from:
C E G B D F A
From all the possible ingredients with respect to bass C we just take E and A ie the 3rd and the 13th which is really note A or the 6th above bass.
Bach says with the 6th above bass we also add the 3rd above bass. [Bach, Niedt]


But where on earth 13th or 6th? If we look closely we will see that the note A is repeated on coscecutive chords while bass descends the musical scale note by note. D F A, C E A, B D A. So prapared intervals for the human brain are taking place. Ie pedal A on an upper part. Why do we do this? Another reason is to avoid consecutive 5ths, the greatest error in music as Bach calls it. D F A, C E G, B D F is not only wrong, it sounds too bad and trivial. Whereas D F A, C E A, B D A is all the money (ολα τα λεφτά, a Hellenic proverb).


So does this very simple rule (avoiding faiths) lead to composition?


Reference:


Bach Bass Rules - Bach, Niedt - PDF



περίληψη, abstract: Το μονο που χρειάζεται να θυμάσαι ειναι:


Ντο Μι Σολ Σι Ρε Φα Λα Ντο Μι Σολ Σι Ρε...


και να βάζεις τις σωστές διεσεις η υφέσεις αναλογα με το σε πια κλίμακα συνθετεται το μουσικο κοματι.


Πχ Χάρτινο το Φεγγαράκι - Χατζιδακις


Ρε Φα Λα (Χάρτινο το Φεγγα
Ντο Μι Λα (ρακι
Σι Ρε Φα Λα (ψεύτικη ακρογια
Λα Ντο Μι Λα (λια ...


Ο κώδικας ειναι:
D
C6
B7
A
Ολα τα Σι ειναι ύφεση, το Ντο οταν το μπαςο ειναι Λα ειναι διεση δηλαδή Λα #Ντο Μι Λα, δηλαδή συγχορδία Λα μεγαλη τριτη δηλαδή Λα Major 3rd, Λα ματζορε.


Ας βοηθήσουμε τους εαυτούς μας.