Did we fly to the moon too soon...
Tasmin centers on note F. Effectively this is a pedal F existing on any chord of the verse.
Bass goes the F minor scale from tonic F in step down mode, ie F then E then D...
Since the key is F minor all B, E, A, D are flat.
So since bass goes down step by step and voice stays up at F we have the following bass code:
F
E9 with 3rd added (see Bach Bass Rules)
D7 (the 3rd above bass is already added by the note F)
So we have from the simple rule 1 3 5 7 9 11 13 15 above bass (we choose what notes sound correct or we like)
And by taking the correct flats we have:
F bass and F bA C which we may rearrange as Ab C F
So we have
F bass and Ab C F
Eb bass and G bB F
Db bass and Ab C F (C creates a major 7th)
etc
So effectively it reminds a lot the standard sequence described by Bach:
F
E6
D7
But the ingenious difference is that the second chord is created by repeating the note F thereby creating the interval of major 9th above bass.
Brilliant.
So in fact it is really the simple rule of avoiding cosectutive 5ths and using a step down bass. But implemented in a great way.
Reference
Bach Bass Rules - Bach, Niedt - PDF
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