Marianna a oriental rhythm song with step down bass avoiding parallel fifths in Bach Bass Rules pdf way

 It was dreamed at 25122105.

Many young female voices singing in unison.

What is original on this song is possibly the sustain of previous notes so that very interesting intervals are created with the new bass. For example the girls singing D while bass is D and then bass becomes C so that the new interval becomes a major 9th. Similarly for other bass change.

Chorus:

o   o   o   o

A  o    A   -

D  o    o   D           Dm

-    -    D   -

#C -    -    D

-    -     -    -

-    -     C   -          C6

-    -     C   -

B   -     -    C

-     -    -     -

-      -  bB   -           bBmaj7

-      -  bB   -   

A     -    -    bB

-      -     -     -

-      -     A     -           A

-      -    bB    -

#C   -     -      -

It reminds me of a song with lyrics somebody to love, somebody to love, somebody to love.

The rhythm on those songs defines a tsifteteli dance like To Have and not to Hold - Madonna.

To verse could have a quick descending step bass melody like the I Say Yeah Yeah ... song whose  title and artist similarly I do not recall.

Marianna cleverly suggested that I do practice on remembering both the verse and chorus plus arrangement of a song I hear for the first time even in my dream.