They hug each other and send most mics for tea.
The vintage silver color 635A sounded a bit more bass heavy that the D130 when they were connected to a Sony TC-D5 ProII.
Best results were obtained with the mics at 1-2in and Pleiades low cut filters of 386Hz to D130 and a Pleiades filter of 597Hz to 635A.
Setup:
635A - Pleiades 597Hz - Sony TC-D5 Pro II
D130 - Pleiades 386Hz - Sony TC-D5 Pro II
597Hz corresponds to (53.5mH in parallel)
386Hz corresponded to (82mH in parallel)
The vintage silver color 635A sounded a bit more bass heavy that the D130 when they were connected to a Sony TC-D5 ProII.
Best results were obtained with the mics at 1-2in and Pleiades low cut filters of 386Hz to D130 and a Pleiades filter of 597Hz to 635A.
Setup:
635A - Pleiades 597Hz - Sony TC-D5 Pro II
D130 - Pleiades 386Hz - Sony TC-D5 Pro II
597Hz corresponds to (53.5mH in parallel)
386Hz corresponded to (82mH in parallel)
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