It was treated like a space toy.
Buttons were pressed to talk to flying above, plane pilots.
Buttons were pressed to launch to them food.
Reverb send potentiometers where turned if it were possible clockwise to more than 10 in order to send oil.
When the standby track recording LEDs were flashing it was fire emergency.
By intuition after fire emergency the erase double button was pressed by the kid for the first time. How did he know?
Also when new batteries were to be placed the packaging was very stiff even for grown ups. But the kid was braking the plastic paper containers of 2 batteries each as it was routine in seconds flat. Then after some time when it was asked how did he do it, he could not do it.
When it was asked, shall we connect 2 loudspeakers? It asked why 2? The answer was because we have 2 ears but it is not the best answer.
So this gave the idea of using just one speaker directly connected to (LR bridged) headphone output. This will give 200mW which may be fine.
When asked how many mics it said 5.
So this gave the idea of connecting many mics in series, to increase sensitivity, reduce ambient noise and make flat responce from vocal chords of speakers-singers to listener's brain by reducing surplus bass and perhaps high frequencies too.
An inline input transformer (which will reduce the above mentioned bass) may then step the impedance to 50KΩ.
More details on the next euroelectron blogspot. A resent update is the kid asking for 2 mics connected together, another 2 mics connecte together and 1 on its own.
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