The high feedback transistor amplifier transistor radio horrortone syndrome has to do with amolofoer output impedance. Or giving the chance to such nice speakers to be driven in quasi constant current constant voltage.
A very interesting article is the one by Nelson Pass:
http://www.firstwatt.com/pdf/art_cs_amps.pdf
Much of this information is very useful in explaining the huge difference in sound when driving the Pleiades linoleum Auratone 5C type monitoring speaker with a one transistor or a one electron tube no negative feedback amplifier. The speaker is transformed to a wide bandwidth motoring speaker. Yet the so important midrange point source detail, depth is even better.
Would the trick also work on the Pleiades linoleum triangular pyramid Vicky fullrange speaker? How would it sound with a minimum components class A amolofoer (electrons flowing all the time)?
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