At the highest quality level they are talking the same language.
Impedance matching
Moving coils (Microphones or speakers)
No EQ
No compression.
Single ended (microphone or power amplifiers)
Class A operation (electrons flowing all the time)
Discrete electronic components
As few components as possible
Good acoustics
Fullrange drivers (example Bruce Swedien recommending the Auratone cubes)
High efficiency
Battery powered amplifiers (hi end reproduction pioneers, Harry Olson experiment on measuring the air molecules thermal noise with a ribbon microphone etc)
Minimum number of equipment (eg Orban white papers)
Hand built equipment (A&R studios, CBS studios, EMI studios etc)
Flat frequency response from producer's brain to listener's brain
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