Seven seconds away - N'Dour, Cherry
https://m.youtube.com/watch?v=wqCpjFMvz-k
It is written if F sharp minor 3rd usually called just minor.
F# G# A B C# D E F#
Ie all F, G, C are sharp just like its relative the A major scale.
Bass goes:
F#
E
D#
D
And what could be simpler and so much better sounding than keeping the right hand the same throughout. Ie
F# bass with F# A C#
E bass with F# A C#
D# bass with F# A C#
D bass with F# A C#
So it is step bass going down with other voices being pedal or constant to F# A C# or the F# minor 3rd chord. Same technique as Beginning of Moonlight Sonata - Beethoven or Adagio - Albinoni, Giazotto.
This inteligent technique of keeping chords the same while bass going downwards step by step creates amazingly sounding prepared intervals such as:
D bass F# A C#
which is the beautiful sounding chord of
D major 3rd major 7th
The technique can for example be seen or heard on Dido and Aeneas - Henry Purcell at the last choir and solo sections.
Seven seconds away after a few iterations modules to B minor. A sustained or pedal F sharp at melody while bass goes down again step by step creates the G# major 3rd minor 7th which leads to the final modulation of C sharp minor. Then the high note G# is pedal (played continuously) at 1/8ths creating with step down bass the intervals of major 6th and then major 7th with 3rd added [Bach]. The thirds happen to be major thirds as the bass code C to B6 to A7 means since C sharp minor has all C, D, F, G sharp. So code translates to C# bass and C# E G#, B bass and B D# G#, A bass and A C# E G#. Ie C# minor 3rd, B major 3rd major 6th, A major 3rd major 7th. Similarly to Old and Wise - Alan Parsons Project in A minor.
Solo violin begining back at the F minor scale plays all sorts of 9th intervals with respect to bass and then again when the song modulates to B minor a sustain F sharp on violin creates all sort of fantastic intervals leading again to chorus at the key of C sharp minor.
Pop symphonic music songwriting at its best.
Johann Sebastian Bach would possibly be proud.
See also:
Bach bass rules
https://normanschmidt.net/scores/bachjs-general_bass_rules.pdf
Harmony - Piston
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