What if...
One drives a recording head with such a high impedance source (plus AC or DC bias) that constant recording current is achieved up to a very high frequency. Or anyway doing anything needed until a flat mic becomes close to sounding corect from singer's vocal chords to listener's brain...
Ie removing all the bass heaviness that results from all causes discussed in previous posts [Lowe. Morgan].
And keeping the playback integration (high cut) characteristic at given tape speed which is standard anyway.
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